From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

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Overview

The way we create and organize knowledge is the theme of From the Tree to the Labyrinth, a major achievement by one of the world’s foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a “tree of knowledge.” He then moves to the idea of the dictionary, which—like a tree whose trunk anchors a great hierarchy of branching categories—orders knowledge into a matrix of definitions. In Eco’s view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which—instead of resembling a tree with finite branches—offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind’s dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings.

Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco’s longstanding argument that problems of interpretation can be solved only in historical context.


Product Details

ISBN-13: 9780674049185
Publisher: Harvard University Press
Publication date: 02/24/2014
Pages: 640
Product dimensions: 6.40(w) x 9.40(h) x 1.90(d)

About the Author

About The Author
Umberto Eco (1932–2016) was an internationally acclaimed writer, philosopher, medievalist, and professor, and the author of the best-selling novels Foucault’s Pendulum, The Name of the Rose, and The Prague Cemetery, as well as children’s books. His numerous nonfiction books include Confessions of a Young Novelist, Six Walks in the Fictional Woods, and The Open Work (all from Harvard). He was a recipient of the Premio Strega, Italy’s highest literary prize; the Prince of Asturias Award for Communication and Humanities; and a Chevalier de la Légion d’Honneur from the government of France.

Hometown:

Bologna, Italy

Date of Birth:

January 5, 1932

Date of Death:

February 19, 2016

Place of Birth:

Alessandria, Italy

Education:

Ph.D., University of Turin, 1954

Table of Contents

Introduction 1

1 From the Tree to the Labyrinth 3

2 Metaphor as Knowledge: Aristotle's Medieval (Mis)Fortunes 95

3 From Metaphor to Analogia Entis 116

4 The Dog That Barked (and Other Zoosemiotic Archaeologies) 171

5 Fakes and Forgeries in the Middle Ages 223

6 Jottings on Beatus of Liébana 250

7 Dante between Modistae and Kabbalah 286

8 The Use and Interpretation of Medieval Texts 309

9 Toward a History of Denotation 353

10 On Llull, Pico, and Llullism 385

11 The Language of the Austral Land 424

12 The Linguistics of Joseph de Maistre 440

13 On the Silence of Kant 457

14 Natural Semiosis and the Word in Alessandro Manzoni's The Betrothed (I promessi sposi) 488

15 The Threshold and the Infinite: Peirce and Primary Iconism 508

16 The Definitions in Croce's Aesthetic 531

17 Five Senses of the Word "Semantics," from Bréal to the Present Day 548

18 Weak Thought versus the Limits of Interpretation 564

References 587

Index 613

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