Voices from the Street

Voices from the Street

by Philip K. Dick

Narrated by Not Yet Available

Unabridged — 13 hours, 55 minutes

Voices from the Street

Voices from the Street

by Philip K. Dick

Narrated by Not Yet Available

Unabridged — 13 hours, 55 minutes

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Overview

Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life: a nice house, a pretty wife, a decent job with prospects for advancement, but he still feels unfulfilled; something is missing from his life. Hadley is an angry young man-an artist, a dreamer, a screw-up. He tries to fill his void first with drinking and sex, and then with religious fanaticism, but nothing seems to be working, and it is driving him crazy. He reacts to the love of his wife and the kindness of his employer with anxiety and fear.

One of the earliest books that Dick ever wrote, and the only novel that has never been published, Voices from the Street is the story of Hadley's descent into depression and madness, and out the other side.

Most known in his lifetime as a science fiction writer, Philip K. Dick is growing in reputation as an American writer whose powerful vision is an ironic reflection of the present. This novel completes the publication of his canon.


Editorial Reviews

Publishers Weekly

This previously unpublished novel is remarkable for a number of reasons, probably the least of which is novelistic merit. Stuart Hadley is a young man born to privilege; he is handsome and educated; his pregnant wife is devoted to him; he has worked his way up from salesman to manager of a television and radio shop, but he wants more. The more he wants is not clear, even to him, and his existential crisis involves him with a shady, quasi-religious sect, the Society of the Watchmen of Jesus, led by a charismatic evangelist. Stuart's flirtation with the movement soon leads him away from his placid middle-class life into a sinister association with a mysterious femme fatale, Marsha Frazier. His decline is accelerated by psychotic depression that spirals into life-threatening self-destruction. Like much of Dick's fiction, the plot skims ambiguously along an abstract surface, only occasionally revealing concrete motivation or linear connection. But that's what endears Dick's novels to millions of readers nearly 25 years after his death, and that's what makes him a significant postwar American novelist. Shallow characterization and crude dialogue show a young novelist groping for style. Still, echoes of Dick's contemporaries such as Ralph Ellison, Richard Yates, Rod Serling, Raymond Chandler and early Kurt Vonnegut Jr. resonate, and a bonus exists in Dick's impeccable eye for detail. Apart from creating an ambience that complements the novel, he provides a veritable literary museum of the early 1950s, replete with the period's social and political attitudes and dozens of references to everyday items, commonplace practices that underscore and illuminate this significant transitional period in American culture. Literary critics will have a field day; Dick fans will be in rapture. (Jan.) Copyright 2006 Reed Business Information.

Library Journal

Previously unpublished, this 1953 mainstream novel by the late sf author of Do Androids Dream of Electric Sheep? (the basis for Ridley Scott's Blade Runner) is remarkable for its very mundanity. No androids or electric sheep here, just a depressed television salesman in Oakland, CA. At 25, Stuart Hadley yearns for a life befitting his intellectual pretensions-he had dreamed of being an artist-but must instead work at a humdrum job to support his wife and infant son. As he falls deeper into depression, he nearly destroys himself and everything in his life, but in the end he finds that it's the simple things that matter most. The book's violence, sex, and racial themes might have been shocking at the time, but now they just seem dated, making the book more a historical curio than a searing indictment of middle-class society. The two-paragraphs-to-turn-off-the-alarm-clock writing style becomes tiresome after awhile, but it does at least provide an accurate picture of daily life in the 1950s. Recommended for Dick completists and students of mid-century realist fiction; others would be better served by buying new copies of his justly acclaimed sf novels. [Library marketing campaign planned.-Ed.]-Jenne Bergstrom, San Diego Cty. Lib. Copyright 2006 Reed Business Information.

Kirkus Reviews

Far from the cyberpunk razzmatazz that earned Dick fame (Do Androids Dream of Electric Sheep?,1968, etc.), this heretofore unpublished 1953 novel is an apprentice work of social realism. Stuart Hadley mopes. Despite his pretty wife and pretty baby (hey, he's pretty pretty himself), Hadley throbs from his wingtips to his Wildrooted hair with '50s existential angst, the same mind-freak that afflicted characters in Ray Bradbury stories and Rod Serling TV shows. He's an Ike-era prole, a Philco salesman at Modern TV who gets beat up in a bar fight by goons calling him "a Red." He isn't really, despite a flirtation with progressive presidential candidate Henry Wallace, but Hadley's hip enough to see the American Dream as a con. Sure, he fantasizes about success, a swinging pad with "modern prints on the walls, cushions on the floor, Chinese mats, Bartok playing in the background on a custom-built phonograph," but he's stuck in a drab marriage to Ellen, "a ripe moist melon within panes of glass." Itchy for deliverance, Hadley strays with Sartre-spouting bohemian Marsha, editor of Succubus, a sort of Jungian-fascist magazine cluttered with anti-Semitic editorials and artsy photographs. Very strange. But no stranger than Marsha's squeeze, Theodore Beckheim, a black Billy-Graham-meets-Ayn-Rand evangelist who's convincing San Francisco that the End Times are nigh. Enthralled with Beckheim, Hadley ditches his left-wing pals from high school, the Golds (too Jewish!), and his Donna Reed-ish sister and her go-getter hubby (too bourgeois!). A Dark Night of the Soul ensues before Hadley wakes up (a changed man!) and returns to his wife's arms. An overwritten and too-long period piece that serves as areminder of just how strange the '50s could be.

From the Publisher

"It may be hard for some to accept that the same writer who recently snuck into the American canon as a visionary and paranoid pop surrealist also penned a half dozen or more proletarian-realist novels set in the California of the '50's and early '60's, the best of which occupy a region demarcated by Richard Yates on one side and Charles Willeford on another. But accept it." —Jonathan Lethem, author of The Fortress of Solitude

"One of the most original practitioners writing any kind of fiction." — The Sunday Times (London)

"A kind of pulp-fiction Kafka, a prophet." —The New York Times

"Dick is entertaining us about reality and madness, time and death, sin and salvation.... We have our own homegrown Barges."— Ursula K. LeGuin

"If someone were to write a history of the future as it has been dreamed up by Hollywood over the years, the chapter on today's tomorrow would belong in large part to Philip K. Dick." —The Washington Post

"[Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from." -Paul Williams, Rolling Stone

"Dick was . . . one of the genuine visionaries that North American fiction has produced in this century." -L.A. Weekly

"When it comes to intellectually challenging and deeply philosophical grist for contemporary screenwriters, few literary minds have been as reliably fertile as that of the late science-fiction master Philip K. Dick. The longtime Berkeley resident's many novels and short stories overflow with the kind of suspense, intrigue and heroics that interest Hollywood." —SF Chronicle

Product Details

BN ID: 2940169788075
Publisher: Brilliance Audio
Publication date: 05/10/2016
Edition description: Unabridged

Read an Excerpt

Voices from the Street


By Dick, Philip K.

Tor Books

Copyright © 2007 Dick, Philip K.
All right reserved.

ISBN: 9780765316929


Part One

Morning
 
Thursday morning, June 5, 1952, came bright and hot. Moist sunlight lay over stores and streets. Glittering from the lawns, the cold sprinkle of night steamed upward to the blue-glass sky. It was an early-morning sky; soon it would bake away and shrivel. An oppressive white haze would drift in from the Bay and hang lusterless over the world. But it was only eight thirty; the sky had two hours to live.
 
Jim Fergesson happily rolled down the windows of his Pontiac and, poking his elbow out, leaned to inhale vast lungfuls of damp summer-morning air. His benign gaze, distorted by a residue of indigestion and nervous fatigue, took in the sight of sunlight dancing from gravel and pavements as he drove from Cedar Street into the half-deserted parking lot. He parked, turned off the motor, and sat for a moment lighting a cigar. A few cars slithered in and parked around him. Cars swished along the street. Sounds, the first stirrings of people. In the quiet chill their movements set up metallic echoes from the office buildings and concrete walls.
 
Fergesson climbed from his car and slammed the door. He crunched briskly across the gravel and down the sidewalk, hands in his pockets, heels clicking loudly, a small, muscular man in a blue serge suit, middle-aged, face red with wrinkles and wisdom, puffy lips twisting the column of hiscigar.
 
On all sides of him merchants rolled down their awnings with elaborate arm motions. A Negro was sweeping trash with a push broom into the gutter. Fergesson stepped through the trash with dignity. The Negro made no comment . . . early-morning sweeping machine.
 
By the entrance of the California Loan Company a group of secretaries clustered. Coffee cups, high heels, perfume and earrings and pink sweaters, coats tossed over sharp shoulders. Fergesson gratefully inhaled the sweet scent of young women. Laughter, muted whispers, giggles, intimate words from soft lips passed back and forth, excluding him and the street. The office opened and the women tripped inside with a swirl of nylons and coattails . . . he glanced appreciatively back. Briefly, he longed for one of them, any one of them. Good for the store . . . like the old days. A woman adds class, refinement. Bookkeeper? Better someone where the customers can see her. Keeps the men from swearing; keeps them kidding and laughing.
 
"Morning, Jim." From Stein's MensWear.
 
"Morning," Fergesson answered, without stopping; he held his arm behind him, fingers casually trailing. In front of Modern TV Sales and Service he halted and fished out his key. Critically, he surveyed his small, old-fashioned possession. Like a little old suit, the store steamed dully in the morning sunlight. The archaic neon sign was off. Debris from the night lay scattered in the entranceway. The TV and radio sets in the windows were murky, uninteresting shapes. Records, signs, banners . . . he kicked a pasteboard milk carton out of the doorway and onto the sidewalk. The carton rolled away, caught by the morning wind. Fergesson plunged his key in the lock and pushed open the door.
 
Here no life existed. He squinted and spat away the first stale breath that hung inside the shop. In the rear the ghostly blue of the night-light rose like marsh gas over a decaying bog. He bent down and clicked on the main power; the big neon sign spluttered on, and after a moment, the window lights warmed to a faint glow. He fixed the door wide open, caught up some of the sweet outdoor air, and, holding it in his lungs, moved about the dark damp store, turning on banks of sets, display signs, fans, machinery, equipment, intercoms. The dead things came reluctantly back to life. A radio blared, then a long row of TV sets. He advanced on the night-light and destroyed it with a single jerk of his hand. He ignited the listening booths that surrounded the dusty, disorganized front counter. He grabbed a pole and dragged back the skylight. He threw the Philco display into whirring excitement and carried it to the back of the store. He illuminated the luxurious Zenith poster. He brought light, being, awareness to the void. Darkness fled; and after the first moment of impatient frenzy, he subsided and rested, and took his seventh day--a cup of black coffee.
 
 
Coffee came from the Health Food Store next door. Under the front counter of Modern were piles and heaps of cups, spoons, and saucers. Bits of stale doughnuts and buns mixed with cigarette ashes, matches, Kleenex. Dust lay over them; years passed and new cups were added; the old were not removed.
 
As Jim Fergesson entered the Health Food Store, Betty dragged herself heavily from the back and lifted a tired arm to greet him. She carried a vast damp rag wadded and sopping under her arm; her face was lined with fatigue and her steel-rimmed glasses sagged.
 
"Morning," Fergesson said.
 
"Morning, Jim," Betty wheezed with a weary, friendly smile. She disappeared to get the Silex coffeemaker from the back.
 
He was not the first customer. A few middle-aged women, well dressed and chatting quietly, sat at the counter and tables eating cracked wheat and skim milk and drinking an all-grain beverage. To the rear a nattily dressed salesman from the gift shop was daintily nibbling at dry butterless toast and applesauce.
 
His coffee came.
 
"Thanks," Fergesson murmured. He got a dime from his vaguely pressed trousers and rolled it to Betty. On his feet, he moved toward the door, past the displays of sugar-free peaches and pears, nonfattening acorn-meal cookies, jars of honey and sacks of wheat meal, dried roots, bins of nuts. He kicked the screen door open, edged by the corner of a dried date-and-apple display rack upon which a poster of Theodore Beckheim rested, caught a momentary glare of disapproval from the stern-faced, beetle-browed minister, and then found himself free on the sidewalk, away from the heavy sickening odor of powdered goat's milk and female perspiration.
 
Nobody had entered Modern ahead of him. Olsen, the spiderlike repairman, was nowhere in sight. Nor were any of the salesmen. No elderly woman had appeared with a withered little radio to be fixed. No young couples wanting to finger expensive TV combinations. Fergesson carefully carried his cup of coffee down the sidewalk and into the store.
 
As he entered the store the phone began to ring.
 
"Damn," his mouth formed softly. The cup teetered as conflicting motor responses traveled up and down his arm. The thin black liquid sloshed over the edge as he set the cup hurriedly down and swept up the phone. "Modern TV," he said into it.
 
"Is my radio fixed yet?" a woman's voice shrilled.
 
Half listening, Fergesson groped for a pencil. The woman breathed harshly in his ear, a beast jammed up against him, muzzled by the phone. "What is your name, ma'am?" Fergesson inquired. A certain sweet kind of early-morning despair filled him: it had already begun.
 
"Your man took the insides out sometime last week and promised to have them back Wednesday, and so far I haven't heard a thing from you people. I'm beginning to wonder what sort of place you're running there."
 
Fergesson groped for the service-call sheet and commenced turning the stiff yellow pages. Outside the store the moist sunlight still filtered down bright and clear. Slim high-breasted young women still clattered by. Cars hissed sleekly along the damp streets. But there was no deceiving himself: life and activity were outside and he was inside. The primordial old woman was on the telephone.
 
Scowling, he gouged a few bitter words on the sheet--sharp jabs of disgust. The grinding wheels had begun devouring his soul. The reality of the workday had begun . . . for him, at least. The burden was on his shoulders; while his employees lay sleeping in bed or dallied at breakfast, Fergesson, the owner of the store, was reluctantly beginning the leaden task of looking up the woman's old radio.
 
 
That morning, at the other end of town, at exactly 5:45 a.m., Stuart Hadley woke up in a cell of the Cedar Groves jail. Somebody was banging on the metal bars; Hadley lay on the cot and cringed furiously to himself until the noise died down. Frowning at the wall, he lay waiting, hoping it had gone. But it hadn't gone. Presently it was back.
 
"Hadley," the cop yelled in at him, "time to get up."
 
He lay wadded up, knees drawn up against his stomach, arms wrapped around him, still frowning, still waiting, still mutely hoping it would go away. But now there was the jangle of keys and bolts; the door slid noisily back and the cop came inside, right up to the cot.
 
"Come on," he said in Hadley's exposed ear. "Time to get out of here, you stupid son of a bitch."
 
Hadley stirred. Gradually, resentfully, he began to unwind his body. First his feet extended themselves and groped for the floor. Then his legs stretched out, long and straight. His arms released their grip; with a grunt of pain he sagged to an upright sitting position. He didn't look at the cop; instead, he sat with his head down, staring at the floor, brows drawn together, eyes almost shut, trying to keep out the harsh gray light filtering through the window.
 
"What the hell are you?" the cop demanded, baiting him.
 
Hadley didn't answer. With his fingers he felt his head, his ears, his teeth, his jaw. Rough stubble scratched his fingers; he needed a shave. His coat was torn. His necktie was missing. For an interval he fumbled clumsily under his cot; finally he found his shoes and dragged them out. Their weight almost pulled him down on his knees.
 
"Hadley," the cop repeated, standing in front of him, legs apart, hands on his hips, "what's the matter with you?"
 
Hadley got into his shoes and began tying the laces. His hands shook. He could hardly see. His stomach gurgled and crept up in his throat. The pain in his head pulled his brows together in a thin, anxious frown.
 
"Get your valuables at the desk," the cop said. He turned and strode out of the cell. Presently, with infinite caution, Hadley made his way after him.
 
"Sign here," the sergeant behind the desk said, pushing a sheaf of papers at Hadley, and then a thick fountain pen. A third cop was off somewhere, getting the sack that contained Hadley's possessions. Two more cops lounged at a table, watching dully.
 
The sack contained his wallet, his wedding ring, eighty cents in silver, two paper dollars, his cigarette lighter, his wristwatch, his ballpoint pen, a copy of the New Yorker, and his keys. Scrutinizing each item intently he transferred them one by one to their proper places . . . except the magazine, which he dropped into the wastebasket by the desk. Two dollars. He had spent, lost, or been robbed of the rest. In all, about thirty-four dollars was gone. Now he noticed that the back of his hand was badly cut; somebody had put a Band-Aid on the groove. While he was examining it, the sergeant leaned down, pointed, and said:
 
"What's that in your coat pocket?"
 
Hadley felt in his pocket. A large crumpled piece of shiny paper came out in his hand; he opened it and spread it flat. It was a color reproduction of a picture: Picasso's Clown Family with Chimpanzee. One edge was jagged and ripped; probably he had torn it from a library book. He had a vague memory of wandering through the public library, as it was closing, its lights dimming one by one.
 
After that had come a lot of walking around in the evening darkness. Then the bar. Then another bar. Then the argument. And after the argument, the fight.
 
"What was it about?" the sergeant asked.
 
"Joe McCarthy," Hadley muttered.
 
"Why?"
 
"Somebody said he was a great man." Shakily, Hadley smoothed down his short-cropped blond hair. He wished he had his cigarettes. He wished he were home where he could bathe and shave and get Ellen to fix him some steaming black coffee.
 
"What are you," the sergeant said, "a Red?"
 
"Sure," Hadley answered. "I voted for Henry Wallace."
 
"You don't look like a Red." The sergeant studied the hunched-over young man. Even in his rumpled, filth-stained clothes, Hadley had a sharp-cut look to him. Blond hair, blue eyes, an intelligent but puffy face. He was slim, almost slender, with a slightly feminine grace. "You look more like a queer," the sergeant stated. "Are you one of those San Francisco queers?"
 
"I'm an intellectual," Hadley said dully. "I'm a thinker. A dreamer. Can I go home now?"
 
"Sure," the sergeant said. "Are all your things there?"
 
Hadley returned the empty sack. "Every one of them."
 
"Sign the paper, then?"
 
Hadley signed, waited a moment with leaden patience, and then realized the sergeant was through with him. He turned and walked soggily toward the stairs of the police station. A moment later he was standing out on the gray sidewalk, blinking and rubbing his head.
 
The two dollars got him a cab. It took only a short while to reach his apartment house; there were almost no cars out yet. The sky was hazy white, cold. A few people strode along, blowing pale breath ahead of them. Slumped over, hands clasped together, Hadley brooded.
 
Ellen was going to screech. As she always screeched when something of this sort happened. And the long-suffering silence that had grown, in the last month, until it was unbearable. He wondered if it was worth making up a complicated story. Probably not.
 
"Got a cigarette?" he asked the cabdriver.
 
"Smoking causes lung cancer," the driver answered, eyes on the empty street.
 
"That means no?"
 
"No, I don't, no."
 
It was going to be hard explaining the lost money. That was the part he hated. He couldn't even remember which bar it was; probably it was several bars. Only the memory of the two black-jacketed toughs, those two truck drivers, those two McCarthy supporters, remained clear in his mind. The cold air outside the bar as the three of them had stumbled out and tangled. The sharp wind, the fist in his stomach and in his face. The sidewalk, very gray and hard and cold. Then the police car and the struggling trip to the jail.
 
"Here we are, mister," the cabdriver said, stopping the cab. He ripped the receipt from the meter and clambered out, all in one busy motion.
 
Nothing stirred. The neighborhood was absolutely silent as Hadley unlocked the front door of the apartment building and made his way up the carpeted stairs and along the hall. No radios. No sounds of flushing toilets. It was still only six fifteen. He reached his own door and tried the knob. Unlocked. Hesitantly preparing himself, he pushed open the door and entered.
 
The living room, as always, was dark, messy, smelling faintly of cigarettes and overripe pears. Ellen had long ago ceased exerting herself. The shades were down; he could hardly see as he passed through, already pulling off his coat and unbuttoning his shirt. The bedroom door stood wide open; he halted to peer in.
 
In the great rumpled bed his wife lay asleep. She was turned on her side, tousled brown hair piled over the pillow and around her bare shoulders, over the sheet and her blue nightgown. The sound of her low, labored breathing reached him; satisfied, he turned and stiffly made his way into the kitchen.
 
He was putting on the Silex of water when her voice came, clear and sharp. "Stuart!"
 
Cursing, he walked from the kitchen back to the doorway. She was sitting bolt upright, brown eyes huge with alarm. "Morning," he said drearily. "Sorry I woke you."
 
Nostrils quivering, face distorted, she gazed fixedly at him. He became uncomfortable as moments passed and still she said nothing.
 
"What's the matter?" he demanded.
 
With a cry, Ellen sprang from the bed and trotted toward him, arms out, hot tears dribbling down her cheeks. Uneasily, he retreated. But her vast, bulging form descended on him; her arms clutched at him fervently. "Stuart," she wailed, "where have you been?"
 
"I'm okay," he muttered.
 
"What time is it?" She broke away, looking around for the clock. "It's morning, isn't it? Where did you sleep? You're all--cut!"
 
"I'm okay," he repeated irritably. "Go back to bed."
 
"Where did you sleep?"
 
He grinned evasively. "In a thicket."
 
"What happened? You went downtown last night for a beer . . . and you were going to the library. But you didn't come home . . . You got in a fight, didn't you?"
 
"With savages, yes."
 
"In a bar?"
 
"In Africa."
 
"And you were in jail."
 
"They called it that," he admitted. "But I never believed them."
 
For a time his wife was silent. Then outrage and exasperation replaced alarm. The bloated softness of her body hardened. "Stuart," she said quietly, lips thin and pressed tight together, "what am I going to do with you?"
 
"Sell me," he said.
 
"I can't."
 
"You haven't tried." He wandered into the kitchen to see how his coffee water was doing. "Your heart isn't in it."
 
Suddenly she was behind him, holding on to him desperately. "Come to bed. It's only six thirty; you can sleep two hours."
 
"I'm coffee-oriented."
 
"Forget your coffee." Rapidly, she reached out and shut off the gas. "Please, Stuart. Come to bed. Get some sleep."
 
"I slept." But he was willing to go with her; his body ached with the need of sleep. Passively, he allowed her to drag him from the kitchen, into the amber-dark bedroom. Ellen crept back into bed while he stood clumsily removing his clothes. By the time he had his shorts and socks off, his body sagged with weariness.
 
"Fine," Ellen whispered as he sprawled against her. "That's fine," she repeated, pressing her harsh fingers against his hair, against his ear and cheek. This was what she needed: the immediate presence of him.
 
With a great yawning sigh he slept. But she remained awake, gazing ahead of her, holding on to her husband, pressing him tight, feeling the minutes slip away from her one by one.
 
 
In the absolute stillness of the bedroom, among the motionless half shadows left from night, the clock began to sing. With its tinny whirry metallic voice it hummed faintly, softly, thoughtfully to itself; then its noise picked up urgency. The noise of the clock stirred the room. The noise met the cold white morning sunlight that spilled in through the window, that filtered through the muslin curtains and spread out, pale and silent, over the icy asphalt tile of the floor, the fluffy scatter rug, the chair and dresser and bed and heaps of clothing. It was eight o'clock.
 
Ellen Hadley reached out her bare tan-fleshed arm and found the clock. She made no sound, no sound at all, as she shoved down the cold little stud protruding from its brass top. The clock hushed; it ticked on, but its noise was over. Sliding her arm back, away from the cold of the room, under the covers, Ellen turned a little on her side to see if she had wakened him.
 
Beside her, Stuart still slept on. He hadn't heard the clock; the faint tinny beginning of its noise hadn't reached him. Thank God for that. She wished he would never hear it. She wished she could keep it back until the metal wheels and springs had sagged into rust, and its dull hands were broken and gone. She wished--well, it didn't matter. Because soon he would have to wake up. She had only delayed it. It would come, and nothing could be done about it.
 
A few birds stirred and crept outside the window; the rim of shrubbery danced violently as birds landed in it. A milk truck roared down the deserted street. Very far off the Southern Pacific train made its way up the track, heading toward San Francisco. Ellen drew herself up, raising the covers, holding them up, a shield between him and the window. Cutting off the sounds, the bright cold sunlight. Protecting him with her body. She loved him; his indifference, his gradual drift away from her, seemed to make her own hunger greater.
 
And still he slept on. In sleep, his face was blank and pale; his hair, dribbled across his forehead, was strawlike. Even his lips were colorless. The stain of gray beard around his chin had faded and blurred into the puffy whiteness of his flesh. Relaxed, mindless, he slept on, not knowing about the clock, not hearing the milk truck outside, the stirring birds. Not knowing she was risen up beside him, was hovering over him.
 
In sleep, he was ageless. Very young, perhaps, not quite a man, not even an adolescent. And certainly not a child; perhaps a very old man, so old that he was no longer a man, a thing left over from some archaic world, primordial, but cold and chaste as ivory. Something carved from bone, a tusk, shaped from passionless calcium: without rancor or excitement or knowledge. An innocent thing too old to care, alive but not yet wanting. Perfectly content to lie, attainment of something beyond activity . . . She wished he could always be like this, utterly peaceful, not needing, not suffering, not driven by any knowing of things. But even as he slept, the corners of his pale mouth twisted up into a tight, childish frown. A sullen, uneasy distaste; and with it a growing terror.
 
Perhaps he was dreaming out his fight, his shadowy ordeal with the enemy. The mist-dripping battlefield where dim shapes struggled, he and vague antagonists. Grappling with opponents he barely understood. . . . She had seen it before. She knew the blind, dazed, head-downward fight he put up. Mindless brawling for goals too tenuous to comprehend, or put into words.
 
He twisted; his head turned on one side. A tiny ooze of saliva slithered down his chin, onto his throat. There it glistened, thick and moist, a body fluid escaping from him, leaking from his relaxed mouth. Perhaps he was sleeping again on the hard cot of the jail. Perhaps he was dreaming of unconsciousness. One scratched hand came futilely up, batted and struck at an invisible presence. He was still dreaming of the fight. And of defeat.
 
"Stuart," she said sharply.
 
Beside her, he grunted. His eyelids fluttered; all at once his quiet, guileless blue eyes gazed up at her, wondering, baffled, a little frightened, startled to find her there. Not knowing where he was--he never knew where he was--and not understanding what had happened to him.
 
"Hi," she said softly. Bending down, she gently touched her lips against his timid, anxious mouth. "Good morning."
 
Color entered his eyes; he smiled weakly. "You awake?" He dragged himself up. "What time is it?"
 
"Eight."
 
Hunched over, scowling, he sat rubbing his stubbled jaw. "Time to get up, I guess."
 
"Yes," she agreed. Far off, a car honked. A front door opened and a neighbor came striding down his concrete steps. The muffled sounds of people . . . cold breath shimmering in the morning air. "It looks like a nice day," she said presently.
 
"Day. Nuts to day." With bewilderment, he examined his damaged hand.
 
"What do you want for breakfast?"
 
"Nothing." He shook his head irritably. The whole episode of the bar, the fight, the police . . . it was all indistinct, dreamlike. Already, it was slipping away from him. "I've got a hangover," he muttered. "Christ."
 
"I'll fix coffee," Ellen said gently.
 
"No, the doctor says you can't." Dully, he groped for the covers, trying to get to his feet. "God," he muttered as his feet reached the floor. For a moment he stood by the bed, eyeing it with weary longing. Aimlessly, he began to scratch at his naked furry chest. Then, turning, he laboriously tottered out of the bedroom, down the icy hall, into the bathroom. There, pushing the door half shut, he stood slouched over the toilet, urinating. Finally he grunted, flushed the toilet, and somberly padded back into the bedroom. At the door, he stood.
 
"I lost some money," he told her wanly.
 
"That's all right." She smiled up briefly at him. "Forget about it and go wash."
 
Obediently, he got his razor and blades from the dresser drawer, and disappeared into the bathroom. Hot water roared in the shower, and he climbed gratefully into it. After that he systematically brushed his teeth, shaved, combed his hair, and came wandering out to look for clean clothes.
 
"Thirty dollars," he told her.
 
"We can talk about it later."
 
Nodding, he belched. "I'm sorry. Can I take something from the household money?"
 
"I guess so," she said reluctantly.
 
From the dresser Hadley took a starched white shirt. The smell of it cheered him up. Next came clean shorts, and then his carefully pressed and hung-up blue slacks from the closet. A kind of eagerness filled him; the joy of fresh fabrics and clean smells took away the staleness of night. But behind him in the dark, moist bed, Ellen lay watching; he could feel her avid eyes on him. Brown hair spilling over her shoulders, the swollen globes of her breasts. Her vast bulging middle stuck up grotesquely: not many more weeks now. The baby--ultimate burden. He would never get away then, and it was already oppressively close.
 
"I don't think I'll go to work," he said gloomily.
 
"Why not?" Anxiously, she asked: "Don't you feel better? After you've had something to eat--"
 
"It's too nice a day. I'm going down and sit in the park." His body stirred restlessly. "Maybe I'll play football with the kids."
 
"They're still in school. And it isn't football season."
 
"Then I'll play baseball. Or pitch horseshoes." He turned to her. "You want to go out in the country this weekend? Let's get out of here; let's get out where we can roam around."
 
Ellen touched her middle. "I shouldn't, you know."
 
"That's right." The great fragile tub of flesh . . . center of the universe.
 
"Darling," Ellen said, "do you want to tell me about last night?"
 
He didn't; but the firmness of her voice meant the time had come. "There wasn't much," he answered. "What I said already."
 
"Did you get--hurt?"
 
"It wasn't a real fight. We were too drunk. . . . We just sort of swung and cussed at each other." Reflectively, he murmured: "I think I got one of the bastards, though. A big one. The cops think I'm a Communist. . . . As they hauled me in I was yelling, 'Come on, you fascist bastards, I'll take care of all of you.'"
 
"Were there just two?"
 
"Four cops, two fascist bastards."
 
"It happened in a bar?"
 
"Outside a bar. It started in a bar. Or at the public library. Maybe it was a couple of librarians."
 
"Stuart," she said, "why did it happen? What's wrong with you?"
 
He got into his powder blue coat and halted at the mirror to examine his face, his hair, his teeth, his swollen eyes. Scowling, he plucked at a pimple on his smooth-shaven chin.
 
"It's Sally, isn't it?" she said.
 
"Yes," he said.
 
"You're tense."
 
"You bet your goddamn life I'm tense." It was today he had to pick her up.
 
"Do--you want me to go with you?"
 
"I'll pick her up alone," he said, starting toward the door. The last thing he wanted was to have Ellen tagging along, getting in the way, making the situation even worse. "Maybe you can clean up the apartment."
 
"Aren't you having any breakfast?"
 
"I'll catch it downtown." From the teapot in the kitchen he got all the money there was, ten or fifteen dollars, and crammed it into his pocket. The living room, as he strode through it, was still messy and still smelled of overripe pears. He didn't really expect Ellen to clean it up; she would start, perhaps empty the ashtrays, and then, exhausted, return to bed. It would still be this way tonight, when he brought his sister home. He was resigned.
 
"Wish me luck," he said at the door to the hall.
 
She had got out of bed; now she was tying on her heavy blue dressing robe. "Will you be home first? Or will you go directly up?"
 
"Depends whether I get the truck," he said. "I'll call you." Without kissing her good-bye he waved, grinned, and stepped out into the hall. In a moment he was outside on the sidewalk, on his way downtown.
 
Unless it rained he walked to work. But today the jogging bounce of his shoes against the pavement made his head ache. By the time he had turned onto Mason Avenue his vision danced with nausea; he wondered if he was going to make it. The hell with breakfast; in his condition he couldn't keep down a glass of tomato juice.
 
At the Lucky Market the Italian greengrocer was putting out his long trays of grapefruits and oranges. The greengrocer waved at Hadley, and he waved mechanically back. Out of habit, he nodded to the clerk in the jewelry store and to the little dried-up old lady in Wetherby's Stationery.
 
In the doorway of the Golden State Café the petite black-haired waitress stood lounging in her trim uniform, red skirt and blouse, pert hat buried in her dark curls. "Hi," she called shyly.
 
The sight of her revived him briefly. "How are you?" he asked, pausing.
 
"It's a nice day," she said, smiling coquettishly; Hadley was handsome and well groomed, a good catch for a girl . . . especially for one who didn't know he was married and about to be presented with a son.
 
Lighting a cigarette, Hadley said: "When are you dropping in?" He indicated Modern TV Sales and Service, which lay just ahead. "Come in and I'll give you a free TV demonstration."
 
The girl laughed cunningly. "A free what demonstration?"
 
Grinning, Hadley continued on down the sidewalk and into the dark shadows of the store. Into the familiar interior of silence and darkness, the place where he had worked since college.
 
Copyright 2007 by The Philip K. Dick Trust. All rights reserved.

Continues...

Excerpted from Voices from the Street by Dick, Philip K. Copyright © 2007 by Dick, Philip K.. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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