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The Brave Cowboy: An Old Tale In A New Time (1992)

The Brave Cowboy: An Old Tale in a New Time (1992)

Book Info

Author
Genre
Rating
3.85 of 5 Votes: 2
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ISBN
0380714590 (ISBN13: 9780380714599)
Language
English
Publisher
avon books

About book The Brave Cowboy: An Old Tale In A New Time (1992)

Well. I have a very mixed response to this. On the one hand, the style was beautiful. Very lyrical, incredibly flowing, beautifully descriptive. It was both real life, and better. That said, while I loved the style, the plot and characters left something to be desired for me. I was not a fan of the hero, and it's hard not to cheer for your protagonist. I didn't support the decisions the main characters made, and more than that, I didn't understand or sympathize with them. I don't have to agree with what the characters decide to do, if I understand how they got there, but I don't find a lot of basis for what the "hero," as such, was doing. Choosing to commit a variety of felonies, apparently just for the hell of it, is not very sympathetic behavior. The rational seemed to boil down to "you're not the boss of me," which seems more like an two year old with a temper tantrum than an adult making a rational decision. I hated the ending, but there was no real other way to go about it. I don't know if the author had the ending planned from the beginning, or if he just wrote himself into a corner. There was no other way for it to end. I saw the "twist" coming about halfway through, although it was more along the lines of "surely he's not doing that, surely that's not where he's going with this, SURELY NOT." But, sadly, that's where he was going. The introduction of an entire character just to do one thing seems a bit much, although I suppose it's better than "the butler did it." It was a quick read, although the last couple of chapters kind of dragged; how much of doing the same things different ways can you read? But this is one of those books that I wish I'd encountered in school. I think I would have gotten a lot more out of it if I'd been able to discuss it with other people and get their perspectives on it. I think there's a lot more to dig out of this than I got out of one reading, but I can't say that I would read it again just to find out what those things are.

Never doubt the universality of the basic premise here--there is inescapable tension between the needs of the individual and the requirements of living in relationship.The plot elements are well-conceived; it's a great story. The setting is spectacular, colorful, rich, a character all its own, described in detail. Unhappily, Abbey has a greater feel for the character of the place than he has for the character of the people. The story bogs down because the focus constantly shifts away from the human element, into the physical world or into the philosophic world.These shortcomings were overcome and put in clear relief with the coming of a writer and film production team that understood the need for keeping the focus on people. Lonely Are the Brave is far the superior presentation of Abbey's ideas.This having been said, if the reader can be patient, willing to skip ahead through wordy passage of description, this is a rewarding read. The power of the story and of its ending lingers long after the book is closed.

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I love the way this book describes man's contrasting natures and sets the scene for this truth around 1950's Albuquerque. The protagonist is a cowboy and the first chapter describes his peaceful existence between the volcanoes and the mountain. From the onset we see he is stuck with old-fashioned ideals like his horse and we like his honesty. He rides his horse across the highways to his friend's house who has been imprisoned for not registering for the draft. This is where the story develops into a thoughtful discussion of man's intellectual and heartfelt sides. Both the cowboy and the imprisoned are "cuates", twins. The cowboy is brave and goes into jail to break his intellectual cuate out. We like the cowboy but the intellectual is all mind, no heart, and has no redeeming value except following his selfish conscience. The story develops with many of these contrasts, these cuates. After the cowboy breaks out, we see the sheriff as a cuate.A parallel story has short passages. This story is about a semi-truck driver who wrestles his mechanical horse through an industrial existence.Beautifully woven into Brave Cowboy is a description of the dominating landscape against which these inner dramas play. There are passages I read repeatedly with enjoyment. It is one of those books that make you want to read every other thing this author has written and it makes me wonder, incredulously really, why this didn't win literary awards. It was made into a movie and another of Abbey's work, Monkey Wrench, is credited with starting Earth First! but why do awards?
—Terry

Abbey is lyrical and utilizes his language skills in this pursuit story. He falls short on characterization, though. It was hard to sympathize with the protagonist and the ending felt very contrived. Excellent tension in the final (long) chase scene, but only a backcountry wilderness guide from New Mexico would care about all the words wasted on describing how Banks went North through this canyon and then around the ledge to the east and then back through the dry arroyo and looking into this other canyon. Excessive description just left me confused. Many of the lesser characters seemed ham-handed and simplified: the sadistic jail keeper, the innocent radio operator, the maniacal Air Force general. The chapters about Hinton felt arbitrarily thrown in after the rest of the book was written because Abbey realized needed an ending. I much prefer Black Sun to this one.
—ethan

I saw the B&W film "Lonely Are the Brave" more than a decade before I heard the name Edward Abbey. Kirk Douglas wrote that this was his favorite film, ever. If one needs a comparison name it's Cowboys meet the Modern World. The film started not only Douglas but Bill Bixby (My Favorite Martian), Walter Mattheu, George Kennedy, Gena Rowlands, Carroll O'Connor (Archie Bunker) as the truck driver with an ending the only Ed could write and one Ed Abbey as a police man/deputy, oh and the Sandia Mountains and the city of Albuquerque (renamed Duke City). Some cowboys rebel, other cowboys, like the sheriff, reluctantly blended in.This story is not for every one, especially city folk.Both the film and the book have characters who spent time in Abbey's other books. Unlike many writings and sequels, the characters evolved (e.g., the General appears as a Colonel in an earlier story). Does John W. Burns reappear? The Hayduke fans certainly think so. I don't want to spoil it by revealing all the character names.Read the book and see the movie.
—Eugene Miya

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