Do You like book Wicked: The Life And Times Of The Wicked Witch Of The West (2015)?
My own peculiar obsession with The Wizard of Oz, in both its book and movie forms, was both a boon and, at times, a slight disadvantage to reading this book: since our culture's two primary references for the Oz story are so very different, Mr Maguire has a fascinating dilemma in trying to create a narrative that honors both, and is also something new. He does so brilliantly, re-imagining characters, places, and circumstances of the movie and the books (most notably the second one, The Land of Oz, in addition to the Wizard of Oz) into something remarkably new, with careful (but thankfully not slavish) fealty to the source material. The result is not only a very engaging story with well written characters, but a special treat for those of us who recognize some of the lesser of Baum's characters when Maguire reintroduces them (including Boq and Professor Nikidik) and leaves our imaginations to fill in the missing pieces that connect this story to the one we already know.My only problem was in reconciling the many differences of the two versions of the story. Maguire obviously faced similar challenges, and does a remarkable job of picking, choosing, and combining details to suit his needs. It kept me a little bit removed from the story, though, a little bit on edge, until I made a simple discovery: if we assume Wicked is the true account of these people, it is easy to see Baum's book as a considered literary version from a man used to re-telling and re-imagining popular fairy tales to children. It is likewise easy to see the MGM version as Hollywood's Technicolor extravaganza re-telling of the story, in which the colors are brighter and good and evil are never confused. Once I settled in to the willing suspension of disbelief that allowed Wicked to be the "truth," I could read this excellent book without being caught up in my head. And I was richly rewarded.
—Willie
I hated this book. Maybe it was because I was expecting so much with all the hype, maybe because I thought the original idea was so great, whatever. End result, I freaking hated this book. This is a book that makes you want to sit down and re-write it yourself because it is such a shame that such a great idea was so mishandled. I loved the idea of delving into the witches and their past and seeing them from a different view point. I loved the idea of the politics of the different realms of OZ. There was so much source material to interpret in so many ways. But no - the biggest thing I hated was the timeline. It would start with the witches childhood and get really in depth into it - chapters of the family and their day to day lives and the family dynamic. And then it was like the author realized that if they continued on this way, the book would have to be a series and every book in it a tome. So the next thing you know, abruptly, he jumps forward in time. And the explanation of what happened in that gap is only briefly described - if that! It is so jarring. I also felt that the characters were fleshed out during those brief times, but after the jump, And then it would seem almost like they were different characters. Or a variation of the character you had come to know. If there were life altering events during the gap that changed the character's personality, you can't just skip it! Don't spend that much time making the reader get to know the character and then change them without showing how and why! I hated the way the author would spend enormous amounts of time describing certain places or characters or situations in a way that gave the reader the idea that it would be significant and play into the main story. Nope. Which makes you feel so unsatisfied. Imagine an entire chapter (and a long wordy one at that) devoted to a certain character or group of people and then then just drop out of the story completely. Where did they go? What happened to them? Why spend so much time on them to just go no where with it?? Also, after awhile, it really seemed like the author had a definite AGENDA and he spent so much time forcing the characters and the plot to fit that agenda, that it disrupted the flow and felt forced. I often felt like the characters wouldn't have acted that way - given his own description of them! I don't like being preached to. If you want to really write a political book with obvious leanings, then do so. But don't package it like this. And this book could have been a great vehicle for a basic statement on many different things - animal rights, our ideas of "others", our treatment of people different from ourselves, a broad idea of what is good and evil as opposed to what people often label good and evil - but didn't have to be so skewed to the author's personal beliefs. (Animal Farm, 1984, and many others come to mind - I really believe that this story COULD have had the potential to be a classic, had it not been so mishandled.) So many of these concepts were brought up and then abandoned. Or they were brought up and dealt with in a talky soliloquy, and without any real opposing view or anything. It was like the author was determined to present every possible political view he had and, one way or the other, force it into the story. But as he got writing and trying to actually write a STORY as opposed to an editorial opinion piece, he lost track of what he was saying or the point he was trying to make. So many themes and ideas were a complete mess. Not explained fully, explained too fully, so vague and complicated they were impossible to understand, or more often than not, forgotten altogether. I would have appreciated ANY resolution - even skewed to the author's opinions - rather than what he often offered, which is nothing. It also felt so smug and superior - it seemed like he referenced things for the sake of feeling smart or proving he was informed- like a college student mentioning Nietzsche in conversation, not because he really wants to discuss the ideas or whatever, but because it sounds smart and proves he's beyond such things as keggers. I just didn't like anything about this book. I stuck with it to the end, hoping that maybe things would change, or maybe things would come together in a way I didn't expect - but nope. I can only assume that it was so popular because of the interesting concept of the book or the fear to admit that they didn't get it or the broadway play - which I have heard is great and might better explain of the popularity of the book. (People loved the musical and bought the book thinking they would like that too.) Anyway, I wouldn't recommend this book to anyone.
—Claire Greene
I don't even know where to start. This book -- actually, the concept of this book -- had so much promise. This could've been a great revisionist retelling of the Wizard of Oz. Yes, it fleshed out Oz itself - what a rich land, people by various creatures: humans, animals and everything in between. The political and religious strata of Oz was well-thought out.But I couldn't connect to any of the characters, especially the main character of Elphaba. I felt that none of them were fleshed out. None of them were likable, either in a positive or negative way. Sometimes, you're drawn to characters who are so evil because they're interesting. You become interested in their back story (and there is always one) and what makes them tick. Of course, almost everyone is drawn to the hero of the story, be they good or flawed, regardless of whether they're the hero-type or the underdog. But in my mind, while Elphaba was the center of the story, there was just nothing about her that drew me in, nothing that made me want to know her better. Nothing tugged at my heart strings or made me go "Grrr...I can't stand her!"Maguire proselytized. Ad nauseum. To the point where I saw no point in going further with the book. While I can see that this work would appeal to some people who revel in exposition and live and breathe religious and political polemic (there are die-hard Wicked fans out there -- of the book, I mean, which is significantly different from the musical, and that has a large fan base as well) but sad to say, I am not one of them (a fan of the book). I think there's a place for everything, and when I pick up a book that purports to be about the life and times of the Wicked Witch of the West, I expect a fantastical backstory about her.And that's the thing. I know very little about her. She's green, but why is she green? She's got normal parents, but how did she become this freakish green baby with shark teeth? You know about her parents' dalliances, their religious fervor, their sexual proclivities, their societal vagaries. But you don't see how this shaped Elphaba. There are so many holes in the story, so many unanswered questions, and whenever I expected to find an answer, there were one or two vague, often nebulous, non-answers.The story meandered all over the place, dropping characters here and there into the narrative -- characters that (one hopes) will enrich the characterization of Elphaba's life. Sometimes they did; most times, they didn't. About a quarter of the way through, I wondered where this was all heading. About halfway through, I wanted to rip my hair out and beg for something -- anything -- to happen that would make me feel connected to our heroine or the story. But there was nothing. Not even a clock dragon to crawl into.This novel could've done so much. It held so much promise. So much. But it failed to deliver, and at least for me, it was a supreme letdown.
—Francine